VinCE 2010: Pink Alarm at Budapest’s Corinthia Hotel
During the VinCE Wine Event organized by Decanter Hungary, one of the Master classes was named:
Pink Future – Rosés from around the world compared to Hungaria and Central Europe
Lecturer was Elisabeth GABAY MW. One should be aware that the lady that speaks about wines is selling eventually the same wines. Compared to the short impression most of these eight sample wines left on the author’s palate, the speech – which indeed was a monologue – showed to be a bit long in the end.
Starting with the origins of Rosé, Gabay stated out that two different theories could be considered. One is the fact that in the past, many wineries do not have the right technology to do red wines. So the Clair red (Clairet) was to become the Rosé.
Alternatively the grape juice de saignée became a wine that was pale pink by accident, because it is the direct liquid gathered without pressing.
In 1851 Sirius Redding, a wine enthusiast of the 19th century,
described that in Cahors they made a Rosé with crushed red grapes by pouring white wine on it. At the same time in Champagne they made a Vin Gris with Pinot Noir or Pinot Meunier. To elaborate a modern Blanc de Noir at that time was not yet possible because the winegrowers did not master that technology.
In the USA, the Prohibition lasted from 1920 until 1933, which let to a habit of consumers drinking disguised wine called Pink lemonade. Indeed it was pink wine.
Slowly, Rosé wines gained interest.
After the 2nd WW table Rosé wine showed up in the USA as a result
of the American soldiers habits, who previously had tasted and enjoyed it in Sicily and other places of Italy, as they started their offensive against fascism.
In 1953 the first Rosé Champagne by Pommery was created for the coronation of Queen Elisabeth 1. In 1959 James Bond showed the world how to get rid of Goldfinger. During his dining intermezzi, the sophisticated international traveller sipped Pink Anjou Cabernet with his fish.
Rosé was becoming therefore the wine for pick-nicks, for summer evenings. Freshness and light fruitiness was the name of the game, as well as the clean finish.
Eye of partridge, oeil de perdrix was the preferred colour, and even nowadays, these facts haven’t changed a lot.
After these explanations, the tutored tasting started, as you can read underneath:
1. Château du Rouët „La Belle Poule“ 2008, AOC Provence.
For the little story, La Belle Poule was the boat which Napoleon used to try a come back to France after his forced reclusion. The Estate has 6 Rosés. The assemblage is made of 60% Grenache macéré, 40% Syrah de Saignée. Yeast used for white wine, to get a better acidity. Geographic origin: South of Fréjus, volcanic terroir.
C: clear salmon colour with light yellowish hints.
N: freshness and nuances of smokiness. Herbs and apricots as a second layer.
P: fresh and fruity, light hints of citrus (grapefruit) and very light bitterness on the finish. There is some soapy taste in the return. This wine has a middle-long finish.
2. Canaletto 2009, Pinot Grigio delle Venezie IGT 12° 3 to 4 months sur lies.
C: old-fashioned pink – altrosa in German language.
N: light minerality, fruitiness with some bits of red redcurrant and Bonbon Anglais.
P: fresh and crisp, good acidity, also some gradations of spiciness. Wine with a simple structure.
3. Zoltàn Heimann Cuvée Fuchsli 2009.
A so-called Siller wine from Szekszàrd, Hungary. An assemblage of 2/3 Kèkfrankos and 1/3 Kadarka. 2 days cold maceration, no malo-lactique fermentation, no C02 added, mostly no residual sugar.
C: bright light red, already on the edge of being called a Rosé
N: aromatic, with a full expression, unveiling a lot of red fruit.
P: Well present acidity and a pregnant bitterness. Very simple, linear Rosé. Short finish.
4. Robert Mondavi, Woodbridge Zinfandel Rosé 2007, California.
Alcohol 13°. Assemblage of 86% Zinfandel, 7% Barbera, 7% Petite Syrah. It should be reminded that Zinfandel is Primitivo in Southern Italy. Fermented in stainless steel at 30° Celsius. Wine aged in French and American oak. Residual sugar said to be 0, 4 g/l ensuing chart of Mrs Gabay. I think the comma stands wrong, just leave it.
C: clear rosé
N: creamy at first, followed by a fine aromatic impression, but to much wood.
P: light structure, very sweet compared to the former wines. Targets the US market. Sugary character but also a pleasant acidity.
5. Viña Requingua „Santiago, “Curico Valley, Cabernet Sauvignon Rosé 2009, Chile
Alcohol 13°, residual sugar 5g/l, total acidity 4,9g/l.
C: A very expressive, bright pink. Couleur de fraise, as the French would say.
N: floral bouquet, reminding of rose petals, followed by notes of opulent fruitiness and fine minerality.
P: Aromas of good fruitiness, a latent sweet taste all over, mainstream consumer targeting wine with red berries and a nice acidity.
6. Château d’Esclans „Whispering Angel“ 2008, Provence.
Domaine Sacha Lichine, Alcohol 13°. Assemblage of Grenache, Rolle, Cinsault, Syrah, and Mourvèdre. Terroir is Chalk-Clay soil, Maceration to extract the aromas, Bâtonnage régulier, and assemblage of the juices, without barrel fermentation. When considering the price (24. - Euro) a wine for label drinkers, obviously.
C: Oeil de perdrix, hints of light orange colour.
N: latent crisp citrus bouquet, clear and fresh. Hints of fresh Apricots followed by impressive notes of Barrique.
P: good balance between fruitiness and acidity. Fresh finish, but to woody and to sweet on the quite short return. Mainstream targeting wine.
7. Moët & Chandon „Rosé Impérial“ Champagne.
Alcohol 12°. Assemblage of red Bouzy still wine with classic Champagne vins de fermentation.
C: colour is crisp orange-rosé.
N: good freshness, light fragrances of fresh brioche bread and yeast.
P: delicate cordon, fine fruitiness (red berries and pink grapefruit) and an appreciable creamy structure. No bitterness on the return, clean, crisp finish. A wine to match well with food like hors d’oeuvres and other cold entrées.

The Pink Port showed an almost unreal colour
8. Croft, Pink Port Wine, Portugal.
19,5° Alcohol. Drink it very chilled.
C: straight clear sherry colour.
N: red fruits, with impression of redcurrant, intertwined with a strong vegetal touch. Leaving some floral and close to greenish impressions
due to the aromatic grape varietals?
P: nutty at first, then aromas of fermented cherries. (Mon Chérie without the chocolate) and some hints of sweet spices. The finish shows to be astonishing long.
The last sample was the most exotic of the flight, and the most singular of all these Rosés. Where the Rosé trail will go and where it will end was still not discovered during this tasting, which was in a certain way a bit strange and confusing.



